An Introduction to … BRAHMS: Introduction; opening horn call and piano's answer

HKI199943201

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• 1:50

An Introduction to … BRAHMS: Rising three-note scalewise pattern

HKI199943202

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• 0:25

An Introduction to … BRAHMS: Quicker, descending six-note 'answer'

HKI199943203

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• 0:18

An Introduction to … BRAHMS: Second, answering phrase

HKI199943204

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• 0:32

An Introduction to … BRAHMS: First Main Theme completed by orchestra

HKI199943205

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• 0:50

An Introduction to … BRAHMS: Peace shattered as piano bursts back in like a tiger

HKI199943206

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• 1:24

An Introduction to … BRAHMS: Variant of opening horn call in bass

HKI199943207

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• 0:19

An Introduction to … BRAHMS: Orchestra returns; beginning of Exposition proper

HKI199943208

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• 2:25

An Introduction to … BRAHMS: Big, 'singing' theme in orchestra; piano 'forgotten'

HKI199943209

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• 0:41

An Introduction to … BRAHMS: Call to arms by strings; marshalling of orchestral forces

HKI199943210

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• 1:03

An Introduction to … BRAHMS: Piano re-enters fry with massive expansion of opening figure

HKI199943211

• 0
• 0:48

An Introduction to … BRAHMS: Piano 'explores' two main facets of opening theme

HKI199943212

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• 0:45

An Introduction to … BRAHMS: Transition. sense of key weakened. Piano and orchestra come together

HKI199943213

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• 1:07

An Introduction to … BRAHMS: Piano and orchestra 'argue' over speed of thematic three-note rise

HKI199943214

• 0
• 0:41

An Introduction to … BRAHMS: Piano and orchestra in friendly dialogue before piano falls away

HKI199943215

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• 1:28

An Introduction to … BRAHMS: 'Winged' harmonic shadow of pure pianistic tone-colour

HKI199943216

• 0
• 0:45

An Introduction to … BRAHMS: New 'transitional' theme from orchestra developed by piano

HKI199943217

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• 1:51

An Introduction to … BRAHMS: After indecision and discussion, the mood suddenly turns playful

HKI199943218

• 0
• 0:26

An Introduction to … BRAHMS: Reminder of Second Main Theme in its original form

HKI199943219

• 0
• 0:43

An Introduction to … BRAHMS: Ttransfomation of Second Main Theme by piano

HKI199943220

• 0
• 0:40

An Introduction to … BRAHMS: Piano hijacks orchestra's 'call to arms'

HKI199943221

• 0
• 0:43

An Introduction to … BRAHMS: Piano and orchestra, now allies, explore theme, but with piano leading

HKI199943222

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• 1:08

An Introduction to … BRAHMS: Dramatic eruption of orchestra leads to the Development section

HKI199943223

• 0
• 1:13

An Introduction to … BRAHMS: Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet

HKI199943224

• 0
• 0:30

An Introduction to … BRAHMS: Transformed 'tiger' theme amicably shared by piano and orchestra

HKI199943225

• 0
• 0:44

An Introduction to … BRAHMS: An apparently new theme - but Battlle Hymn of the Republic?

HKI199943226

• 0
• 0:41

An Introduction to … BRAHMS: Brief, downward-driving section prepares for the Recapitulation

HKI199943227

• 0
• 0:54

An Introduction to … BRAHMS: On the threshold of the Recapitulation

HKI199943228

• 0
• 0:54

An Introduction to … BRAHMS: Recapitulation: The Magical Return

HKI199943229

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• 1:06

An Introduction to … BRAHMS: From Gate-crashing Tiger to Celestial Tenderness - and a surprise

HKI199943230

• 0
• 1:17

An Introduction to … BRAHMS: And unexpected and portentus change of mood, suggesting tragedy

HKI199943231

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• 1:01

An Introduction to … BRAHMS: Summation

HKI199943232

• 0
• 0:30

An Introduction to … BRAHMS: First Movement (Complete)

HKI199943233

• 0
• 17:16

An Introduction to … BRAHMS: Second Movement: The upward-driving opening gambit, piano alone

HKI199943234

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• 0:13

An Introduction to … BRAHMS: Downward-driving answer from lower strings

HKI199943235

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• 0:27

An Introduction to … BRAHMS: Theme vs Melody

HKI199943236

• 0
• 0:58

An Introduction to … BRAHMS: Eerie, unharmonised, 'white' sound of Second Theme

HKI199943237

• 0
• 0:45

An Introduction to … BRAHMS: Second Theme taken up and developed by piano

HKI199943238

• 0
• 1:25

An Introduction to … BRAHMS: Expectation and surprise; harmonic fluidity and intensifying drama

HKI199943239

• 0
• 1:40

An Introduction to … BRAHMS: Return (and transformation) of Theme Two

HKI199943240

• 0
• 0:41

An Introduction to … BRAHMS: Theme One returns in orchestra; Theme Three emerges in major mode

HKI199943241

• 0
• 1:00

An Introduction to … BRAHMS: Sequence of fragmentary episodes begins with unexpected fanfare

HKI199943242

• 0
• 0:58

An Introduction to … BRAHMS: Variant of Theme Three in piano

HKI199943243

• 0
• 0:36

An Introduction to … BRAHMS: Rescored variant of 'fanfare' theme; from grandeur to solemnity

HKI199943244

• 0
• 0:21

An Introduction to … BRAHMS: Rhapsodic variant of fanfare, this time for piano alone

HKI199943245

• 0
• 0:24

An Introduction to … BRAHMS: Recapitulation of opening, with piano and orchestra reversing roles

HKI199943246

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• 1:07

An Introduction to … BRAHMS: Theme Two transformed by new instrumentation

HKI199943247

• 0
• 0:36

An Introduction to … BRAHMS: Cue and Second Movement (Complete)

HKI199943248

• 0
• 9:23

An Introduction to … BRAHMS: Introduction, cue and First Main Theme

HKI190034301

• 0
• 1:53

An Introduction to … BRAHMS: Theme One taken up by strings and solo oboe; piano's entry

HKI190034302

• 0
• 1:20