An Introduction to … BRAHMS: Expectation and surprise; harmonic fluidity and intensifying drama
Classics Explained: Brahms - Piano Concerto No. 2
- 11.07.2001
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- 1 min 40 sec
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More from An Introduction to … BRAHMS: Expectation and surprise; harmonic fluidity and intensifying drama
An Introduction to … BRAHMS: Introduction; opening horn call and piano's answer
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An Introduction to … BRAHMS: Rising three-note scalewise pattern
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An Introduction to … BRAHMS: Quicker, descending six-note 'answer'
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An Introduction to … BRAHMS: Second, answering phrase
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An Introduction to … BRAHMS: First Main Theme completed by orchestra
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An Introduction to … BRAHMS: Peace shattered as piano bursts back in like a tiger
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An Introduction to … BRAHMS: Variant of opening horn call in bass
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An Introduction to … BRAHMS: Orchestra returns; beginning of Exposition proper
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An Introduction to … BRAHMS: Big, 'singing' theme in orchestra; piano 'forgotten'
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An Introduction to … BRAHMS: Call to arms by strings; marshalling of orchestral forces
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An Introduction to … BRAHMS: Piano re-enters fry with massive expansion of opening figure
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An Introduction to … BRAHMS: Piano 'explores' two main facets of opening theme
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An Introduction to … BRAHMS: Transition. sense of key weakened. Piano and orchestra come together
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An Introduction to … BRAHMS: Piano and orchestra 'argue' over speed of thematic three-note rise
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An Introduction to … BRAHMS: Piano and orchestra in friendly dialogue before piano falls away
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An Introduction to … BRAHMS: 'Winged' harmonic shadow of pure pianistic tone-colour
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An Introduction to … BRAHMS: New 'transitional' theme from orchestra developed by piano
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An Introduction to … BRAHMS: After indecision and discussion, the mood suddenly turns playful
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An Introduction to … BRAHMS: Reminder of Second Main Theme in its original form
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An Introduction to … BRAHMS: Ttransfomation of Second Main Theme by piano
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An Introduction to … BRAHMS: Piano hijacks orchestra's 'call to arms'
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An Introduction to … BRAHMS: Piano and orchestra, now allies, explore theme, but with piano leading
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An Introduction to … BRAHMS: Dramatic eruption of orchestra leads to the Development section
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An Introduction to … BRAHMS: Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet
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An Introduction to … BRAHMS: Transformed 'tiger' theme amicably shared by piano and orchestra
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An Introduction to … BRAHMS: An apparently new theme - but Battlle Hymn of the Republic?
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An Introduction to … BRAHMS: Brief, downward-driving section prepares for the Recapitulation
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An Introduction to … BRAHMS: On the threshold of the Recapitulation
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An Introduction to … BRAHMS: Recapitulation: The Magical Return
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An Introduction to … BRAHMS: From Gate-crashing Tiger to Celestial Tenderness - and a surprise
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An Introduction to … BRAHMS: And unexpected and portentus change of mood, suggesting tragedy
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An Introduction to … BRAHMS: Summation
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An Introduction to … BRAHMS: First Movement (Complete)
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An Introduction to … BRAHMS: Second Movement: The upward-driving opening gambit, piano alone
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An Introduction to … BRAHMS: Downward-driving answer from lower strings
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An Introduction to … BRAHMS: Theme vs Melody
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An Introduction to … BRAHMS: Eerie, unharmonised, 'white' sound of Second Theme
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An Introduction to … BRAHMS: Second Theme taken up and developed by piano
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An Introduction to … BRAHMS: Expectation and surprise; harmonic fluidity and intensifying drama
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An Introduction to … BRAHMS: Return (and transformation) of Theme Two
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An Introduction to … BRAHMS: Theme One returns in orchestra; Theme Three emerges in major mode
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An Introduction to … BRAHMS: Sequence of fragmentary episodes begins with unexpected fanfare
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An Introduction to … BRAHMS: Variant of Theme Three in piano
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An Introduction to … BRAHMS: Rescored variant of 'fanfare' theme; from grandeur to solemnity
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An Introduction to … BRAHMS: Rhapsodic variant of fanfare, this time for piano alone
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An Introduction to … BRAHMS: Recapitulation of opening, with piano and orchestra reversing roles
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An Introduction to … BRAHMS: Theme Two transformed by new instrumentation
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An Introduction to … BRAHMS: Cue and Second Movement (Complete)
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An Introduction to … BRAHMS: Introduction, cue and First Main Theme
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An Introduction to … BRAHMS: Theme One taken up by strings and solo oboe; piano's entry
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