"My song titles often come right off the bat - "Knucklepunch" is called that, for example, because the bass drum sounds like it wants to punch you in the mouth." True, the music of "L.E.A.D" jumps at the listener with full force - fat subsonic basses, distorted melody fragments, voice samples - if the term "electronic body music" didn't already exist, it would have to be invented for this. But it's not all sweat, flesh and movement in DK's music: "When I make music, I want to create images in the listener's mind - that's why there are no lyrics in my songs - they would be more of a distraction. I want to specify as little as possible - everyone who listens to my music should create their own thing in their skulls. And apart from that, my voice doesn't even cover a whole octave," he says and laughs. “I am grateful that I can reproduce things that take place in my head through music. I often hum melodies that come to me into my smartphone - this results in a collection of hundreds of files that I then put together in the studio like a puzzle. Sometimes I leave these files lying around for months - and at some point I get an idea and make something out of it. It's a very colorful process."