Ulysses Departs from the Edge of the World (arr. J. Logan)

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Revelations in the Courthouse Park: Chorus 1

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Revelations in the Courthouse Park: Chorus 3, in part

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Revelations in the Courthouse Park: Scene 1, Hymn to Dionysus: Holy Joy and Get Religion

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Revelations in the Courthouse Park: Scene 2, Hymn to Dionysus: What thE Majority Believes

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Revelations in the Courthouse Park: Scene 2, Hymn to Dionysus: Glory to the Male Womb

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Revelations in the Courthouse Park: Scene 3: Chorus 4

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Revelations in the Courthouse Park: Scene 4: Coda

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Introduction to King Oedipus

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King Oedipus: Introduction

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King Oedipus: Opening Scene

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King Oedipus: First Chorus

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King Oedipus: Tiresias Scene (beginning)

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King Oedipus: Tiresias Scene (continued)

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King Oedipus: Second Chorus

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King Oedipus: Creon Scene

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King Oedipus: Jocasta Scene

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King Oedipus: Incidental Music

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King Oedipus: Third Chorus

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King Oedipus: Messenger Scene

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King Oedipus: Fourth Chorus

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King Oedipus: Herdsman Scene

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King Oedipus: Oedipus Scene

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King Oedipus: Fifth Chorus

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King Oedipus: Instrumental Commentary

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King Oedipus: Antiphony

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King Oedipus: Exit Oedipus - Pantomime

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King Oedipus: Final Chorus and Coda

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Partita in G Major: Menuet

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Come Away, Death

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December, 1942: No. 1. Come Away, Death

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By the Rivers of Babylon

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Introduction to The Bewitched

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The Bewitched: Prologue

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The Bewitched: Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall

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The Bewitched: Scene 2: Background for the Permutation of Excercises in Harmony and Counterpoint

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The Bewitched: Scene 3: Background for the Inspired Romancing of Pathological Liar

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The Bewitched: Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music

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The Bewitched: Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room

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The Bewitched: Scene 6: Background for the Euphoria on a Sausalito Stairway

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The Bewitched: Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit

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The Bewitched: Scene 8: Background for the Apotheosis of a Court in its Own Contempt

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The Bewitched: Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise

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The Bewitched: Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails

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The Bewitched: Epilogue

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