Ulysses Departs from the Edge of the World (Arr. J. Logan)

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Revelations in the Courthouse Park, Scene 1, Hymn to Dionysus: Holy Joy and Get Religion

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Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: What thE Majority Believes

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Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: Glory to the Male Womb

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Revelations in the Courthouse Park, Scene 3: Chorus 4

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Revelations in the Courthouse Park, Scene 4: Coda

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King Oedipus, Opening Scene

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King Oedipus, Tiresias Scene (beginning)

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King Oedipus, Tiresias Scene (continued)

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King Oedipus, Creon Scene

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King Oedipus, Jocasta Scene

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King Oedipus, Messenger Scene

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King Oedipus, Herdsman Scene

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King Oedipus, Oedipus Scene

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December, 1942: No. 1, Come Away, Death

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Introduction to the Bewitched

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The Bewitched, Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall

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The Bewitched, Scene 2: Background for the Permutation of Excercises in Harmony and Counterpoint

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The Bewitched, Scene 3: Background for the Inspired Romancing of Pathological Liar

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The Bewitched, Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music

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The Bewitched, Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room

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The Bewitched, Scene 6: Background for the Euphoria on a Sausalito Stairway

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The Bewitched, Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit

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The Bewitched, Scene 8: Background for the Apotheosis of a Court in its Own Contempt

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The Bewitched, Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise

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The Bewitched, Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails

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