I am Harry Partch

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Texts and Music: A Wagnerian Wrestling Match

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17 Lyrics of Li Po: A Dream

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17 Lyrics of Li Po: An Encounter in the Field

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17 Lyrics of Li Po: On Hearing the Flute

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17 Lyrics of Li Po: The Intruder

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17 Lyrics of Li Po: I am a Peach Tree

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17 Lyrics of Li Po: With a Man of Leisure

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17 Lyrics of Li Po: A Midnight Farewell

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17 Lyrics of Li Po: Before the Cask of Wine

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17 Lyrics of Li Po: On the Ship of Spicewood

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17 Lyrics of Li Po: By the Great Wall

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The Use of English in Serious Music

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Barstow: 8 Hitchhikers' Inscriptions

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San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties

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Life is too precious to spend it with important people

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US Highball: a Musical Account of a Transcontinental Hobo Trip

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My Heart Keeps Beating Time

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San Francisco II

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I'm going to start right off by giving you some sounds…

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2 Settings from Finnegans Wake: No. 1. Isobel

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2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful

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Dark Brother

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A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk

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A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation

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A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)

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A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads

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A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads

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A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads

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A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's

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A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic

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A Quarter-Saw Section of Motivations and Intonations: Close Degrees

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A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads

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A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution

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A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions

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A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"

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A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"

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A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on

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A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."

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A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched

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A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation

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A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation

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Bitter Music: June 11, 1935 — Santa Rosa, California

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Bitter Music: June 12 — Federal Shelter, Stockton

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Bitter Music: June 13

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Bitter Music: June 14

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Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta

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Bitter Music: June 17

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Bitter Music: July 4

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By the Rivers of Babylon

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