Nivaldo Godoy Jr. was part of the FILE Festival team and was sponsored by Kunstbibliothek Daniel Rohrer of the Swiss arts institute Sitterwerk. As an artist, he investigates the intersection of architecture with other arts, especially audiovisual. His sound research began in his teens, using rudimentary software to compose influenced by media sounds present in documentaries, animations and television commercials shown in Brazil in the 1970s and 1980s, as well as film soundtracks and underground electronic music from the 1990s. In his compositions, the relationship with the body and dance takes place through the use of repetitions of mathematical cells and polyrhythms, evoking architectural structures that explore different digital techniques: synthetic electronic tones, recordings of urban sounds, collages with micro cuts, noise extracted from everyday objects, erosions in audio files, spatialization with sound design and soundscapes.