Leonard Fischer, artistically known as Sabotaj, often looks to the past for inspiration. He turns to films, videos, cartoons, spoken and written word, but none more passionately than music. As an artist, he dissects and interprets these art forms to carefully produce his reflections and rhymes. He is a disciple of the school of hip hop. Sabotaj is determined to make his mark as the legend that never was. Early Life Sabotaj’s introduction to the world of hip hop can be traced back to 1979. That year, the Sugarhill Gang released its groundbreaking track “Rapper’s Delight,” which Sabotaj cites as “a song that was everything to kids growing up in the hood.” The hood he references is South Central Los Angeles where he and his younger brother were raised by his mom and grandmother from a very young age. Their parents divorced when he was just 3 years old, his father remarried about 5 years later and eventually moved to Dallas. Sabotaj recalls the subsequent years after his father’s move as the roughest years of his youth. Despite the difficult upbringing, there was always one channel through which he could escape. “Rapper’s Delight” opened his eyes and ears to hip hop music and its culture. Through Los Angeles-based radio station KDAY and its influential radio DJ Greg Mack, hip hop and rap had fully infiltrated the airwaves by the 1980s. KDAY introduced Sabotaj to hip hop pioneers such as Eric B. & Rakim, KRS-One, Public Enemy, The Juice Crew and Biz Markie.