“With consummate poise, limpid clarity, and faultless intonation” (Washington Classical Review), soprano Amy Nicole Broadbent has garnered recognition as a vibrant and versatile musical force. Acclaimed for dynamic performances of oratorio, art song, opera, and chamber music, Amy is a sought-after interpreter of works by Bach, Handel, and their contemporaries, as well as 20th century composers such as Barber and Stravinsky, and newly-composed works. Amy has performed as soloist for the Oregon Bach Festival, Staunton Music Festival, Bach Choir of Bethlehem, Washington National Cathedral, Washington Bach Consort, The Thirteen, Folger Consort, Reading Choral Society, Washington Master Chorale, and New Dominion Chorale. She is a founding member of vocal quartet The Polyphonists. Amy won first-place in the Audrey Rooney Bach Competition (Kentucky Bach Choir) and the National Society of Arts and Letters’ Winston Voice Competition. She was a prizewinner for the Lyndon Woodside Oratorio-Solo Competition (New York Oratorio Society) at Carnegie Hall, the Annapolis Opera Competition, the Bach Vocal Competition for American Singers (Bach Choir of Bethlehem), and the Franco-American Grand Concours Vocal Competition. Operatic credits include Pamina & Papagena (Die Zauberflöte), Sebastian (The Outer Edge of Youth - Scott Ordway - world premiere), Josephine (H.M.S. Pinafore), Elsie (The Yeomen of the Guard), Johanna (Sweeney Todd), and Ms. Jessel (The Turn of the Screw).