"Leron Thomas isn’t making it easy on himself. His self-produced records are hard to sum up - and that’s the point”. NY TIMES Jazz trumpeter, composer, vocalist, multi-instrumentalist, provocateur and, "masterful genre-bender", Leron Thomas, a New York transplant from Houston, was once upon a time in his own words “just your run of the mill jazz musician realizing that I didn’t vibrate well on the NYC jazz scene”. His credentials that have put him in his own lane, make a mockery of such self-deprecation. Charles Tolliver - Thomas’ one-time trumpet teacher in college – is but one scene great he has performed with. Broadly speaking he can name Bilal, 88 Keys, Dennis Ferrer, Lauryn Hill (as part of her touring band) and Zara McFarlane as further conspirators of note. His performance critiqued by the NY Times as "intelligent, casual, a little nuts and completely entertaining”, Thomas has featured on Gilles Peterson’s vanguard ‘Brownswood Bubblers’ compilation series, and his 2015 release ‘Cliquish’ was shortlisted by Peterson at the Worldwide awards in the best album category, described as a "brilliant LP that really breaks the mould". ‘More Elevator Music’ logically follows 2019’s ‘Elevator Music’, six tracks of jazz-edged hip-hop and reassuring curiosity reaching from the fuzziest depths of its backpack, with Iggy Pop and Open Mike Eagle providing assists. After opening act ‘Corporate’, 6 Music’s Shaun Keaveny would laud next single ‘Blind’ as “a bass groove masterclass”