Pilooski - who we’ve seen in duo as Discodeine and solo, in the Dirty Edits series - would end up pushing open he door to the Villa Isola: a vestibule leading to a double spiral staircase framing a marble pediment engraved with the words M’ISOLO E VIVO (I isolate myself, and live). On the first floor lay a grand semi-circular reception room opening onto French gardens. Before the windows, leather easy chairs arranged with maniac regularity about a round table. On the lid of a grand piano, a virgin in polished glass, and on the walls, oil renditions of Dutch canals jostled with jungle watercolours. As a tribute to this projection room, Pilooski has imagined four original soundtracks owing as much to radio broadcasts for insomniacs as they do to recorded recitals for children. With Eden Ahbez’s Eden’s Island album in mind, he has called upon the following contributors: Jarvis Cocker (Pulp) has chosen an extract from Carl Gustav Jung’s The Red Book; Judah Warsky has written an homage to the sun and the moon; Narumi Hérisson (Tristesse Contemporaine) reads a passage from Ango Sakaguchi’s Sakura No Mori No Makaï No Shita; and writer Simon Liberati (Anthology of Apparitions, Jayne Mansfield 1967, Eva) a fragment from one his 113 Studies of Romantic Literature. ISOLA : For four exotic and minimalist pieces of spoken word, over which Clément Froissart plays flute, Axel Lecourt, percussion and Julien Vichnievsky the guitar.