Last fall, when Circuit des Yeux (aka CdY, aka Haley Fohr) released the stand-alone single “God Dick,” she described the song as a passage leading from the past toward things to come. Out March 14th, Halo on the Inside is the product of that metamorphosis. It is the butterfly and the beast – a rhapsodic, hedonistic, dance floor-adjacent, pagan-friendly, horns-adorning wall of sound and emotion. Halo on the Inside finds CdY renewed, recombinant, and thrillingly alien. Bringing Halo to fruition involved numerous changes in Fohr’s typical methods of operation. She worked at night. Throughout the writing, Fohr was living alone, slipping down to her basement studio from 9 p.m. to 5 a.m. to free her mind, her voice, her hands. These late hours should not be understood as grim and isolative, though. It was a quiet space for uninhibited exploration. A trip to Greece ignited in Fohr an interest in the character of Pan, the mythological, flute playing half-goat, half-man. His story of transformation, melody, fertility, and eventual demise served as a moodboard to the album's rapturous, brightly burning moments. The process was adjourned in a trip to Minneapolis to complete the record with producer Andrew Broder (Bon Iver, Moor Mother, Lambchop). There’s shock in metamorphosis, Halo On The Inside tells us, but there’s also levity and beauty. A moment of seclusion and dislocation yielding to rebirth and ominous beauty.