Canadian producer and engineer T. Gowdy makes audiovisual installations as well as experimental techno and ambient recordings. His work often deals with the deconstruction of sonic environments, preferring grainy textures and throbbing, distorted beats to the relaxing, crystal-clear tones associated with environmental music. His releases include 2022's Miracles, an album based on material created for an audiovisual project based on surveillance footage. Tim Gowdy professionally sang in a boys choir before he studied classical guitar and earned a Masters' degree in sound recording. As a freelance producer and sound engineer, he's worked on dozens of recordings, including albums by Ada Lea, Suuns, Anna Webber, and several classical musicians and ensembles. In 2018, he began releasing music as T. Gowdy, with two albums, B-Stock, and Vitrify Kate, appearing during the year. He also presented audiovisual installations at the MUTEK Festival in Montréal as well as galleries in Berlin, where he is partly based, and opened for Actress and Devon Welsh. Pachira Aquatica was released in 2019, and Gowdy continued presenting installations and performances in Europe and Canada. He appeared at the Barcelona edition of MUTEK, and was an artist in residence at Eastern Bloc in Montréal. Therapy with Colour, one of his more beat-driven recordings, was issued by Constellation Records in 2020, and a piece titled "Emerald Teeth" was released as part of the label's Corona Borealis Longplay Singles series. Gowdy presented several audiovisual pieces in 2021, including a collaboration with light artist Anastasija Delidova titled Peribitive, and he did sound design for Atalaya, a documentary by Emma Roufs. Miracles, his second Constellation album, appeared in 2022, reworking recordings made for an earlier, unreleased project. ~ Paul Simpson, Rovi