The collaborative work of J. Borges and Shannon Kennedy of Pedestrian Deposit could be described as highly composed, often abstract sound textures combined to create dynamic experimental music that draws on the duo’s widely contrasting auditory obsessions. Borges’ use of crude yet disciplined electronics, tape loops, field recordings, and controlled feedback manipulation contrasts against Shannon’s use of self-designed stringed instruments, bowing techniques and amplified wood and metal, resulting in music that is both raw and refined. Pedestrian Deposit bears elements of electro-acoustic sound, musique concrete, classical, industrial and harsh noise, but cannot be confined to any one genre.