NYX is a collaborative drone choir and otherworldly electric chorus, re-embodying live electronics and extended vocal techniques. An experiential exploration of ambient, noise & electronic music, NYX makes ambient and ecstatic sonic landscapes, punctuated with acoustic glitching, polyphonic overtone and electric textures. NYX’s approach to post-digital performance and composition is influenced Meredith Monk’s extended vocal technique, Le Mystère des Voix Bulgares’ charged harmonics, the electronic and acoustic body manipulations of Holly Herndon, the viscerality of Sunn 0)))’s ecstatic noise experiences and participatory community music projects like Peter Broderick’s The Beacon Sound Choir. Alongside performances, the collective continues to research health and social benefits of sonic immersion in relation to ethnomusicology, sound therapy, collaboration, feminism and new digital technologies. NYX looks to reshape the role of the traditional female choir, testing the limits of organic and synthetic modulation to explore the entire spectrum of collective female voice as an instrument. Alongside solo projects, NYX is a collaborative force, recently developing special projects with multidisciplinary artists such as Gazelle Twin, Christina Vantzou, Dan Tobin Smith, Hatis Noit, Iona Fortune and Alicia Jane Turner with Dead Light.