Title Music (From "Night Mail")

GBCML0711201

• 3,703
• 0:47

Percussion Sequence (From "Night Mail")

GBCML0711202

• 2,492
• 0:55

The Tocher Suite: I. Allegro brilliante

GBCML0711204

• 1,729
• 1:53

The Tocher Suite: II. Allegretto

GBCML0711205

• 1,286
• 2:20

The Tocher Suite: III. Allegretto

GBCML0711206

• 1,062
• 2:01

The Tocher Suite: IV. Bolero. Allegro moderato

GBCML0711207

• 1,260
• 2:00

The Tocher Suite: V. Allergro con brio

GBCML0711208

• 1,045
• 1:18

Allegro molto alla marcia (From "The King's Stamp")

GBCML0711209

• 1,667
• 0:38

Allegro. Opening Door (From "The King's Stamp")

GBCML0711210

• 1,956
• 2:20

Allegretto. Messenger Boy (From "The King's Stamp")

GBCML0711211

• 1,796
• 0:40

Lento ma non troppo. Entry to Lithograph Works (From "The King's Stamp")

GBCML0711212

• 1,570
• 1:46

Allegro moderato. Stamp Factory - Machine Starts (From "The King's Stamp")

GBCML0711213

• 1,676
• 2:48

Minuet. Andante lento (From "The King's Stamp")

GBCML0711214

• 1,597
• 0:56

Allegretto. Train Sequence (From "The King's Stamp")

GBCML0711215

• 1,697
• 1:37

Allegretto. Parliament - The Stamp Bill (From "The King's Stamp")

GBCML0711216

• 2,241
• 0:53

Allegro (From "The King's Stamp")

GBCML0711217

• 1,811
• 1:12

Allegro moderato alla marcia (From "The King's Stamp")

GBCML0711218

• 1,516
• 1:17

Allegro appassionato. Title Music (From "Negroes")

GBCML0711219

• 1,883
• 3:01

Allegro. In the Middle Ages (From "Negroes")

GBCML0711220

• 2,167
• 1:04

Allegro. Then the Portuguese and Spaniards (From "Negroes")

GBCML0711221

• 1,718
• 1:04

Allegro ritmico. At the Mouth of the Senegal (From "Negroes")

GBCML0711222

• 1,665
• 1:08

Andante con moto. To Sail from Africa to Jamaica (From "Negroes")

GBCML0711223

• 1,666
• 0:58

Andante lento. The More Advanced Thinkers in Europe (From "Negroes")

GBCML0711224

• 1,602
• 1:32

Andante con molto moto. Still at Their Accustomed Hour (From "Negroes")

GBCML0711225

• 1,690
• 3:26

Allegro ritmico. Coffee from the Blue Mountains (From "Negroes")

GBCML0711226

• 1,542
• 0:50

Allegro. Introduction (From "The Way to the Sea")

GBCML0711227

• 0
• 0:33

Andante maestoso. Romans (From "The Way to the Sea")

GBCML0711228

• 0
• 0:39

Andante maestoso. Alfred (From "The Way to the Sea")

GBCML0711229

• 0
• 0:48

Moderato. There Is, at This point of the Haven (From "The Way to the Sea")

GBCML0711230

• 0
• 1:27

Allegro. The Eighteenth Century (From "The Way to the Sea")

GBCML0711231

• 0
• 1:19

Allegro con fuoco. Nelson Has Gone (From "The Way to the Sea")

GBCML0711232

• 0
• 0:56

Lento e pesante. 169 Trains a Week (From "The Way to the Sea")

GBCML0711233

• 0
• 0:41

The Line Waits (From "The Way to the Sea")

GBCML0711234

• 0
• 2:56

Più lento. Here Is a Harbour (From "The Way to the Sea")

GBCML0711235

• 0
• 3:00

Slow. We Seek a Spectacle (From "The Way to the Sea")

GBCML0711236

• 0
• 1:16

Allegro molto - Alla marcia (From "The Way to the Sea")

GBCML0711237

• 0
• 1:54

Telegrams

GBCML0711238

• 0
• 2:30

Peace of Britain

GBCML0711239

• 0
• 1:30

Title Music (From "Men Behind the Meters")

GBCML0711240

• 0
• 0:22

Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters")

GBCML0711241

• 1,173
• 1:33

Allegro moderato. 1935 Sequence (From "Men Behind the Meters")

GBCML0711242

• 0
• 1:16

Andante (From "Coal Face") [1]

GBCML0711243

• 0
• 0:39

A Sterile Landscape (From "Coal Face")

GBCML0711244

• 0
• 1:10

Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face")

GBCML0711245

• 0
• 0:42

Yorkshire and Landscape (From "Coal Face")

GBCML0711246

• 0
• 1:01

Moderato. The Temperature Often Reaches (From "Coal Face")

GBCML0711247

• 0
• 0:28

Andante. The Seven and a Half Hour Shift (From "Coal Face")

GBCML0711248

• 0
• 0:47

Ad libitum sempre. One Thirty A.M. (From "Coal Face")

GBCML0711249

• 1,481
• 0:50

Allegro ma non troppo. In Many Pits (From "Coal Face")

GBCML0711250

• 0
• 1:04