Music: Folias (Imperfectas) [Harp]

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Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"

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La Folia: "Yo Soy La Locura"

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Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico

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Narration VII (3): Folly’s Origins

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Recercada quarta sobre la Folia

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Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)

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Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)

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La Gamba In Basso, E Soprano (1564)

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Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca

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Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

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Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

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Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

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Si habrá en este baldrés (C. M. Palacio No. 179)

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Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)

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Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli]

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Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)

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Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)

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Browning my Dear

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Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)

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Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)

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Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)

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Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)

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Todos los buenos soldados (La Guerra)

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Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia

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Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)

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Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)

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Saltarello (Mss. Venezia)

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Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)

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Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa

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Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)

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La Spagna (XVth Century)

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Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)

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Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)

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Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)

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Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)

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Diferencias Sobre ‘Las Vacas’ (Harp)

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Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)

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Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)

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Makam “Muhayyer pesrev” (Ottoman War March) [15th Century]

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Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)

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Saltarello: Une musque de Buscaye (Instrumental)

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A Florence la joyose cité (C. M. Montecassino No. 6)

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Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata

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Audi, benigne Conditor (C. M. Montecassino No. 40)

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Taskim & Dance (Ottoman)

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Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)

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Lavava y suspirava (Anonymous Sephardic)

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Malor me bat (Odhecaton, No. 63)

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Benedic anima mea (Ps. 103, 1-3)

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