Peter One grew up in Bonoua, a small town in southeastern Cote d’Ivoire about thirty miles from Abidjan, the economic center of the nation. Having first learned guitar at the age of seventeen, Peter developed stylistic affinities for African troubadours like Benin’s G.G. Vickey and the Cameroonian Eboa Lotin, which he began to blend with the chordal and harmonic lushness of some of his American favorites, Simon & Garfunkel and Crosby, Stills, Nash, and Young. With every arrival must inevitably come a departure, and in the mid-1990s, Peter One—weary of both the spotlight and the uncertain political situation in Côte d’Ivoire—emigrated to the United States to seek below-the-line expertise as a producer. Peter’s journey in America took him from New York to Delaware and, finally, to Nashville, where he has settled with his family, all along taking a series of jobs in a field that seemingly had little to do with music producing: nursing. In some ways, Peter’s adopted profession—necessary to provide for his family—brought him both further away and closer to his goal, since it was nursing that brought him to Nashville, a.k.a. "Music City. “ Peter’s new album 'Come Back To Me' will surely tell you, Peter One has once again arrived, and he has brought with him a set of songs that might just transport their listeners to new vistas, new moods, and new modes of experience, because they are the reflection of Peter’s own unpredictable, ever-surprising journey.