Blurring the limits between speed and slowness, Meg Duffy (guitar) and Greg Uhlmann (guitar) communicate in velocities, underwriting each other’s peaks and flurries as they ache toward a mutual horizon. These one-take improvisations, recorded in Uhlmann’s brothers’ house on a borrowed tape recorder, unfold like a game of truth or dare. Their constant motif is an unceasing return, a steady heartbeat they mutually commit to, knowing when one wanders off, the other will either follow or call them home. Here, flushness overrides order, each note saunters by like initials etched into tree bark: a devotion both passing and eternal. After playing in Perfume Genius and Hand Habits, Duffy and Uhlmann embarked on their first record together, Doubles. A testament to the wordlessness of their musical intimacy, Duffy and Uhlmann take up the guitar in order to make an imprint of the slowness and presence of their improvisational practice. They weave together a sonic meditation, embracing intuition and relying on trust. Side A of Doubles consists of two guitars in conversation: looping feelings, braiding sound, blowing kisses, and finishing each other’s sentences. Less of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.