Randall Dunn is known for his production skills, engineering expertise, and his knack for emphasizing the human components in music—the flaws, the idiosyncrasies, and the intangible aura that haunts a room when musicians are at work. He’s lent his arrangement ideas to artists like Sunn O))) and Earth and provided instrumentation on albums by Six Organs of Admittance, Anna von Hausswolf, and longtime colleague Stephen O’Malley. But after a turbulent year of change and loss, Dunn took a moment away from helping others realize their visions and channeled his energies into his first solo effort, Beloved. “It was an echo of what I was feeling for a few years in life… like stasis, like something needed to give,” Dunn says. “That feeling you get when you’re going through something and you feel more like you’re watching it rather than living it. I wanted the record to feel that way—anxiety, paranoia, different shades of love, different realizations of mortality, how it can make you feel the stages of your life more deeply.” Across seven tracks, Dunn explores the various textures and compositional possibilities offered by an array of early digital and analog synthesizers.