Insomniac Hotel is the music of surfaces. The swirls of synthetic-organic tone-spaces and refracted microphony evoke fractal geometries ; each detail a world in itself, suggesting that the filigree of the sonic membrane springs from wholeness/unity rather than disintegration. 
 Working alone, Alec Fellman extrudes this geography from a pool of sound-objects: modular synthesizers, meditation bowls, contact microphones. The work is of-and-beyond sound; reaching into meditative practice, they produce rooms to think and be in, while never effacing the body and its capacity to listen.