Leçons de ténèbres: IIIf. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum

The James Bowman Collection

  • 01.04.1996
  • 0 Streams
  • 3 min 9 sec

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Why, Why Are All the Muses Mute?, Z. 343: III. Britain, Thou Now Art Great, Art Great Indeed!

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The Choice of Hercules, HWV 69: No. 15, Air. Yet, Can I Hear That Dulcet Lay (Hercules)

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Come Tread the Paths

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Sono liete, fortunate, HWV 194: II. Crudeltà nè lontananza

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O Solitude, My Sweetest Choice!, Z. 406

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Gott soll allein mein Herze haben, BWV 169: V. Aria. Stirb in mir

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Deborah, HWV 51, Pt. 2: No. 8, Air. Impious Mortal, Cease to Brave (Barak)

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Now Does the Glorious Day Appear, Z. 332: VII. By Beauteous Softness Mixed with Majesty

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O magnum mysterium

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Esther, HWV 50a, Scene 2: Recit. Now Persecution Shall Lay by Her Iron Rod – Aria. Tune Your Harps to Cheerful Strains (1st Israelite)

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Since First I Saw Your Face

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Solomon, HWV 67, Act I: Duet. Welcome as the Dawn of Day (Solomon/Solomon's Wife)

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Now That the Sun Hath Veiled His Light "An Evening Hymn", Z. 193

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The Occasional Oratorio, HWV 62, Act III: No. 3, Aria. Thou Shalt Bring Them In (Alto)

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Leçons de ténèbres: IIIf. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum

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Rinaldo, HWV 7a, Act III: Aria. Or la tromba (Rinaldo)

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On the Brow of Richmond Hill, Z. 405

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Ode for the Birthday of Queen Anne, HWV 74: I. Eternal Source of Light Divine

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