From Silent Shades, and the Elysian groves, Z. 370, "Bess of Bedlam"

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What a Sad Fate Is Mine, Z. 428a (second version)

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Welcome to All the Pleasures, Z. 339, "Ode on St. Cecilia's Day": Beauty, Thou Scene of Love

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Welcome to All the Pleasures, Z. 339, "Ode on St. Cecilia's Day": Here the Deities Approve

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If Music Be the Food of Love, Z. 379b (1st setting, 1st version)

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The Comical History of Don Quixote, Z. 578: 4. Let the Dreadful Engines of Eternal Will

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• 6:30

A Choice Collection of Lessons, Suite No. 7 in D Minor, Z. 668: I. Almand. Very slow (arr. for chamber ensemble)

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• 3:59

A Choice Collection of Lessons, Suite No. 7 in D Minor, Z. 668: II. Corant (arr. for chamber ensemble)

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A Choice Collection of Lessons, Suite No. 7 in D Minor, Z. 668: III. Hornpipe (arr. for chamber ensemble)

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Tell Me, Some Pitying Angel, Z. 196, "The Blessed Virgin's Expostulation"

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Lord, What Is Man, Z. 192, "A Divine Hymn"

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Ground in Gamut, Z. 645 (arr. for lute, viola da gamba and organ)

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Now That the Sun Hath Veiled His Light, Z. 193, "An Evening Hymn on a Ground"

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The Married Beau, or The Curious Impertinent, Z. 603: March, Z. 687

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The Indian Queen, Z. 630: Trumpet Tune, Z. 698

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The Prophetess, or The History of Dioclesian, Z. 627: Let us dance, let us sing

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King Arthur, or The British Worthy, Z. 628: Chaconne

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Hosanna to the Highest, Z. 187

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