Navid Afghah (1970 Shiraz -Iran) Navid Afghah started his studies at the “Center for Preservation and Propagation of Iranian Music” in 1981 under Mahmoud Farahmand Bafi and in different periods he was influenced by his experiences. He has taken his lessons in Harmony, Counterpoint, Orchestration and Stylistics subjects in presence of Kambiz Roshan Ravan and Dr. Hossein Mehraban and the experience of conducting in numerous concerts in Iran and abroad is in his resume. Navid Afghah has collaborated with different groups including Faramarz Payvar, Aref, Dalaho, Aineh and Messiah, thus he has experienced collaborating with the most influential contemporary Iranian musicians such as Darius Safwat, Faramarz Payvar, Parviz Meshkatian, Hossein Alizadeh,Behdad Babaei, Kayhan Kalhor, Ardeshir Kamkar,... He has participated in different albums as an accompanist, soloist or collaborator for the compilation, and composition of the music. his Independent works are; “Avaye Khial”, “Peydayesh”(Genesis),” Ma’bad peykare haye chubi”(the temple of wooden figures) and “Zaman Larze”(Time quake) album. He has also collaborated in writing soundtracks of the documentary and experimental cinema as the music composer or music supervisor, selecting soundtracks from his own albums, For instance, “Tehran has no more pomegranates” (Masoud bakhshi) “Sivand,Earth,Dream” (Hossein Karim Pour) , “The Seventh Day” (Arash Raissian), “Nena” (Mohammad Reza Vatan Doost) ...