With his compositions and video works, he is active both in contemporary music as well as in the context of fine arts. The questioning of media and art productions can be found throughout his entire work and is clearly visible in art genre-crossing pieces. A central focus of his work lies on the engagement with staging rituals in the art and music business. Video and sound as forms of transformation-, interference- and communication processes are integral parts of his artistic work. Recurring themes of his work are hierarchical relationships and interactions between author, interpreter, and the piece itself. Jannik Giger’s compositional signature is characterized by the organic integration of foreign material into his own sound language. He lets tonal and harmonic sounds shimmer through, but cleverly complements and surrounds them with microtonal discolorations and leaves room for the various sound worlds to unfold, to collide lustfully and finally to grow together anew.