When Michelle Kash ponders the nature of her music, the New York-born and Los Angeles-based songstress does so by likening it to “a dimly lit room” and “torn lace.” Pinned down by her smoky soulful delivery and a personal style somewhere between Debbie Harry and Old Hollywood pinup, these visions crystallize in a sultry and seductive take on pop equally evocative and empowering in its confidence and charisma. This unfolds across a series of 2019 and 2020 releases for the singer and songwriter. “There’s a sensual vibe to everything,” she exclaims. “It’s moody, but it’s also dark. Across the music, I feel like what I’m doing is just human.” In between echoes of cinematic synths, her voice tows the line between a coy croon and a commanding chant on “Personal Jesus,” positioning her as a 21st century temptress of the highest order. “When I sing ‘Personal Jesus,’ I have a vision of a sexual savior within myself or whom I look for in others,” she explains. “It’s gritty and shadowy like an after-hours party. I hadn’t seen a woman cover the song, which added a different dimension. It paves the way for where I want to go musically.” In the end, Michelle forges a lasting connection by way of everything she does. “When I listen to music, I don’t feel alone anymore,” she leaves off. “I hope listeners walk away with the same feeling. I think it would be amazing if they can connect to what I’m creating.”