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Satie: Gymnopédies and other Works

14.3M streams

14,342,889

Satie: Gymnopédies and other Works

12.5M streams

12,450,154

Satie: Works for Piano

9.7M streams

9,663,832

Chopin: Mazurkas

1.6M streams

1,638,578

Satie: Vexations (840 Times)

1.6M streams

1,590,762

Piano Favourites, Vol. 1: Mozart, Beet...

1.3M streams

1,342,143

Piano Favourites, Vol. 1: Mozart, Beet...

1.3M streams

1,342,143

Satie: Vexations (840 Times)

1.3M streams

1,286,334

Chopin: Nocturne in E-Flat Major, Op. ...

702.8K streams

702,847

Chopin: Mazurkas

694.1K streams

694,051

Biography

Italian pianist Alessandro Deljavan has been astonishing audiences for more than two decades. Acknowledgements began at the age of nine when he won the prestigious Concours musical de France (1st Prize, Paris, 1996). He is embraced for his remarkable prowess and emotional intensity by audiences and colleagues alike. “Deljavan played with jaw dropping virtuosity and heart-stopping eloquence.” —Dallas Morning News “Technically brilliant and with an exceptional imagination, Alessandro Deljavan brings finesse and spontaneity to Chopin’s Etudes.” —Pizzicato.lu “A concert which only confirms the genuine talent and colossal power of this Italian pianist.” —les chroniques du piano Born of an Italian mother and Persian father, Alessandro Deljavan began learning piano before the age of two and gave his first performances at age three. He has since performed around the world including in Austria, Belgium, China, Columbia, Cyprus, Denmark, France, Germany, India, Israel, Italy, Lithuania, Montenegro, South Korea, Poland, Russia, Slovakia, Sweden, Switzerland, and the United States. “Deljavan’s performance was revelatory in every respect. Everyone in the hall knew that they were hearing something special—something wonderful—from the very first notes. At the end, the spontaneous eruption of cheers was so different from the perfunctory ovation that any decent performance is awarded, that being a part of the thrilled crowd was a unique experience in itself.” —Theater Jones