"Ace that's wierd. That sounds like a Nintendo game. It sounds like a scary movie soundtrack. It sounds dark and evil. No one wants to listen to that. What's wrong with your drum patterns? They're too fast. They're too offbeat. How am I supposed to bob my head to this shit? You're not even on the downbeats half the time. These are techno sounds. Biggie and Pac would never fuck with this. It's too digital. Too glitchy. I don't know man. Somethin' wrong with you." This was 1997. This was Ace Divine's daily dilemma. A whole lotta closed minds. A whole lotta criticism. Growing up on Three 6 Mafia, Eightball & MJG, Spice One, Bone Thugs N Harmony, it was hard to grasp why no one understood the vision of a future wave that would later be known as Trap Music... (Read the full bio: www.acethefckingboss.com) He has since worked on projects for Atlantic, Epic, Sony, Universal, etc. Recording, Mixing, Mastering, Writing, Producing for over 50,000 songs. In 2017, he joined the Grammy Society, Landed a publishing deal as a producer in Hollywood, Launched a record label, Anarchy Armada Records, and is currently producing albums for his label artists. This year Anarchy Armada Records is scheduled to release over 100 songs, and has partnered with Rem Zeezy, owner of Arsenic Labs, who is contracted to create all of the label's visuals. He is launching new music as"Ace The Fcking Boss," and has released two official albums under that entity, "Dark Passenger: Origins" and "ATFB".