Known equally for his “verve, wit, and delicatesse” (Boston Musical Intelligencer) and his “infinite tenderness” (Evening Odessa), Artem Belogurov has an extensive repertoire, ranging through four centuries of solo and chamber works. His interest in period performance leads him to historical keyboards, including clavichord, harpsichord, and fortepianos spanning the eighteenth and nineteenth centuries. As a soloist and in chamber groups, Artem has performed in a wide variety of venues, among them Lincoln Center, Library of Congress, Jordan Hall, Harvard Musical Association, the Universität der Kunste in Berlin, the Musikhochschule in Hanover, St Andrews University in Scotland, Tivoli Vredenburg in Utrecht, and Muziekgebouw in Amsterdam. His critically acclaimed album of solo piano works by the late nineteenth century American Romantic composers, recorded on a Chickering piano built in 1873, was released by the London-based label Piano Classics in 2015. 2019-2020 season includes a North American tour with Concerto Köln as a soloist and continuo player, performances with his duo partner cellist Octavie Dostaler- Lalonde and with the early music ensemble Postscript, of which he is a founding member. After studying modern piano at the New England Conservatory in Boston, Artem moved to Amsterdam where he studied fortepiano and clavichord at the Conservatorium van Amsterdam with Richard Egarr and Menno van Delft and graduated receiving cum laude in 2016.