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Zombillénium (Original Motion Picture...

4M streams

4,037,727

Borgia Season 3 (Original Soundtrack f...

208.6K streams

208,603

Cézanne et moi (Bande originale du fi...

155.9K streams

155,860

Un village français (Bande originale ...

105.7K streams

105,674

SamSam (Musique originale du film)

82.3K streams

82,319

De son vivant (Bande originale du film...

62.1K streams

62,122

Sademetsän Tarina (Original Motion Pi...

52.6K streams

52,611

The Insult (Original Motion Picture So...

44.4K streams

44,403

La dernière leçon (Bande originale d...

36.1K streams

36,064

Richard the Stork (Original Motion Pic...

30.6K streams

30,577

Biography

Composer Eric Neveux was 25 when he met director François Ozon (Swimming Pool, 8 Women) and composed the score for his first long-form film, See the Sea. Ozon then asked him to score his first feature film, Sitcom. Shortly thereafter, Neveux began a long-term collaboration with Patrice Chéreau, scoring his film Those Who Love Me Can Take the Train (Cannes Film Festival Official Selection, 1997), followed by Intimacy (Berlin Film Festival Golden Bear award-winner, 2001), and Persecution, (Venice Film Festival, 2009). Eric Neveux has composed original music for 60 feature films, as well as a variety of scores for TV movies and series. Recent score highlights include two installments of director Rachid Bouchareb’s American Trilogy; Just Like a Woman (starring Sienna Miller and Golshifteh Farahani), and Two Men in Town(2014), with Forest Whitaker and Harvey Keitel; and later, Bouchareb’s film Road to Istanbul in 2016 (the last two being official selections of the Berlin Film Festival). Eric’s passion for independent film is further illustrated by his work on titles such as La Vie Domestique by Isabelle Czajka, Standing Tall (La Tête Haute) by Emmanuelle Bercot, the Cannes Film Festival’s opening film in 2015, The Attack (2013), and The Insult (2017), by Ziad Doueiri which was nominated for Best Foreign Language Film at the 90th Academy Awards.