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Arthur and Ronan meet one night in 2016 as evidence, as their parallel trajectories had to cross at some point. These two young erudite musicians - Ronan has studied musicology and Arthur is a Conservatory graduate - both have worked for film and theater. Nourished by common aesthetic references, it is their shared passion for cinema that put them together into the alcove of a Parisian basement, on the walls of which they will project their musical fantasies fed on the soundtracks of François de Roubaix and Ennio Morricone, but also albums of Air or Bertrand Burgalat. Projections... The name will stay. Then freely composing the soundtracks of ideal films, without imposing constraints if it is not those of pleasure, a first EP will arise from this collaboration carried by the breath of modern post-romanticism, "Three Lessons of Darkness", in reference to a music genre of the Baroque period accompanying the so-called "darkness" services. There are days when you want to listen to music at night. In October 2017 comes a new EP, the aptly named "II". The record is like a fantasized movie soundtrack on an aggressive geometry, a rough architecture, full of asperities, a concrete jungle. The baroque harmonies have given way to synthetic quirks of all kinds that rub shoulders with elements organic fawn. There is no room for doubt, the four titles that make up the EP are those of a mutant band that explores all the possibilities of a new instrumental pop.