Before his 25th birthday, conductor Jakub Hrůša had already served as associate conductor of the Czech Philharmonic Orchestra, after which he took on three conducting posts simultaneously, one as the associate conductor of the highly respected Orchestre Philharmonique de Radio France. By then, Hrůša was also the holder of a recording contract with the Supraphon label. To assert he was then one of the most promising Czech conductors of his generation would have been something of an understatement, as he has gone on to gain further prestigious conducting posts, both in the concert and operatic worlds, and he has appeared on several acclaimed recordings. Hrůša has conducted orchestras throughout the world in a broad range of repertoire. While he has favored Czech music, particularly works by Dvořák, Smetana, and Janáček, he has also scored success in the music of Mozart, Beethoven, Prokofiev, and many others. In opera, Hrůša has led acclaimed performances of works by Bizet, Massenet, Puccini, and others. In 2021, Hrůša led the Bamberg Symphony Orchestra on a recording of Mahler's Fourth Symphony. Hrůša was born in Brno, Czech Republic, on July 23, 1981. He played the piano in his youth and also became proficient on the trombone. He eventually developed an interest in conducting and enrolled at the Prague Academy of Performing Arts, where he studied conducting with Jiří Bělohlávek, Leoš Svárovský, and Radomil Eliska. Hrůša played both the trombone and piano in the student orchestra there and graduated in 2004. By that time, he had already held the post of associate conductor with the Czech Philharmonic Orchestra for two years. He concluded his service with the Czech Philharmonic in 2005 and that same year took on a trio of assignments: associate conductor of the Orchestre Philharmonique de Radio France, chief conductor of the Bohuslav Martinů Philharmonic in Zlín, Czech Republic, and principal guest conductor of the Prague Philharmonia. Hrůša held his posts in France and Zlín until 2006, the year he signed the recording contract with Supraphon. The deal called for six recordings, and the first two of them appeared in 2006, the latter containing Dvořák's Suite in A and Suk's Serenade for strings and Fantastic Scherzo, all with the Prague Philharmonia. Hrůša found critical success with the Prague Philharmonia and in 2008 became principal conductor of the ensemble. That same year, he conducted acclaimed performances of Bizet's Carmen at both the Glyndebourne Festival and with Glyndebourne on Tour. He also led a performance of Massenet's Werther at Opera Hong Kong. Hrůša debuted in the U.S. in 2009, leading concerts with the Milwaukee and Indianapolis Symphony Orchestras. From 2010 until 2012, Hrůša served as the music director of Glyndebourne on Tour. In 2011, Hrůša led an acclaimed performance of Britten's The Turn of the Screw at the Glyndebourne Festival. Later that year, Hrůša was named the music director at the Royal Danish Opera, effective in 2013, but in early 2012, he resigned the post owing to announced budget cuts. Hrůša remained in his post with the Prague Philharmonia until 2015, after which he made significant debuts at La Scala, the Vienna State Opera, and the Frankfurt Opera in the 2015-2016 season and was named the principal guest conductor of the Czech Philharmonic. The following season, Hrůša became the chief conductor of the Bamberg Symphony Orchestra. In 2018, he became one of the Philharmonia Orchestra's principal guest conductors. Hrůša, leading the Bavarian Radio Symphony Orchestra, backed violinist Augustin Hadelich in a recording of Dvořák's Violin Concerto in A minor, Op. 53, on the album Bohemian Tales in 2020, which earned Hrůša a Grammy nomination. In 2021, he became the principal guest conductor of the Orchestra dell'Accademia Nazionale di Santa Cecilia and issued a recording of Mahler's Fourth Symphony with the Bamberg Symphony on the Accentus label.