Dogtablet’s individual parts all make sense on their own, but together they should not. Combine the people involved in Industrial agit-noise disruptors Test Department with the baroque-goth figures in Shelleyan Orphan as well as the machine rock’n’roll pioneers Chemlab, add dashes of The Cure and some Beat Generation ghost voices and you’d naturally come out with a directionless howl of meaningless cacophony. Instead, Dogtablet’s sound is a rich mixture of thrumming yet down- tempo grooves that nestle comfortably next to luxurious, grey-skied soundscapes.