Clément Bazin was ten years old when he discovered the steeldrum, instrument coming from Trinidad and Tobago, during a neighborhood party. He instantly fell in love with the instrument and this very particular sound which didn’t leave his mind ever since. Between syncopated rhythmic, voice distortions and heady beats, Clément Bazin draws an electronic music made of tropical textures and subtle soul music excursions, built around a steeldrum that fully bloom in this clever mix between organic and analogic and that, as a symbol, take the stage front and the first part of the act just before the end.