Ilija Djokovic uses music to express what he cannot in words. The Belgrade-based talent takes care to convey real emotion in his melodies and power in his rhythms. His meticulous approach both in the DJ booth and the studio results in sounds that move people in many different ways. For this reason and after many years of work, he has gone from being a secret Serbian talent to someone now making his mark on the world stage with fans like Paul Kalkbrenner, Carl Cox and Chris Liebing. Djokovic has proven his international credentials over the last decade-plus with releases on high-profile labels like Drumcode, Filth on Acid and Terminal M. He reached overall Number 1 on the Beatport techno chart with the mighty 'Atom,' which also made Ilija one of the genre's best-selling artists of the year. That track was something of a breakout moment that got high-profile support from the likes of Maceo Plex, and further successes have followed on Second State and Armada Records. More melodic tracks like 'Vega' on Armada Records and 'Equilibrium' on Drumcode showed a different side to this vital artist. The latter was one of the most requested IDs of Adam Beyer's DJ sets at the time: it paired driving drum programming with the sort of mind-expanding synth work that takes dancers to another level.