Performance

Monthly Listeners

Current

Followers

Current

Streams

Current

Tracks

Current

Popularity

Current

Top Releases

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N.O.W. Is The Time

220.3M streams

220,325,445

Carboot Soul (Deluxe Edition)

63.6M streams

63,604,645

In A Space Outta Sound

39.6M streams

39,627,668

Shape The Future

37.7M streams

37,721,784

Shout Out! To Freedom...

14.9M streams

14,903,374

Nights Introlude

13.3M streams

13,272,861

Smokers Delight

11.1M streams

11,136,953

All Back To: Nightmares on Wax

6.1M streams

6,106,120

Smokers Delight: Sonic Buds

5.5M streams

5,489,656

The Sweetest

5.3M streams

5,287,842

Biography

“I feel like I've been set free of something and I am now becoming who I really am,” says George Evelyn. As Nightmares on Wax Evelyn has - for the last 30 years, as Warp’s longest serving signing - been consistently at the forefront of contemporary music, creating a unique blend of electronica, jazz, hip-hop, techno, dub, funk, soul and techno. “The world had stopped and I'd slowed down but time speeded up,” he reflects. “So my conversation with people was more like, ‘what's going on inside? What's the inner voice saying?’ As a result, he formed creative bonds with upcoming talent that slotted in with both the history and evolution of N.O.W. The likes of Shabaka Hutchings, Haile Supreme, Mara TK, Sabrina Mahfouz. Greentea Peng, OSHUN and Pip Millett all feature. “I wanted to ask: what is freedom? Everybody's got a different concept of it. I realised that internally, we all want to be free of our shit and it doesn't matter what it is. So there are shout outs to freedom in each song. They're all different cries and different calls but there's a coherent feeling through it.” When all the guest’s contributions were complete and the album was meticulously assembled to what we hear now, Evelyn picked up one last powerful and potent theme that came oozing out of the grooves. “I think it's the story of the human spirit,” he says. "There's an underlying element of Shout Out! To Freedom... that is very, very personal for me.”