Johnny Hunter is a northern UK-based drummer and composer who comes from a background of both the avant-garde and more mainstream jazz. His “chordless” quartet (Johnny Hunter Quartet), set up to explore the freedom and limitations of having no chordal instrument, has been recorded and broadcast by BBC Radio 3, and has performed across the country in notable venues such as London’s Ronnie Scott’s, the Manchester Jazz Festival, Birmingham Jazzlines at Symphony Hall, Liverpool International Jazz Festival, among many others. He also co-leads the piano trio Fragments and organ trio organ trio Revival Room with Adam Fairhall and Mark Hanslip. In 2018, he took part in Sound and Music’s New Voices programme which allowed him to compose an extended piece for a large ensemble of improvising musicians. He has also written works for various other ensembles, including Pale Blue Dot, a piece for string quartet with tenor sax and drums; Now It Can Be Told, which brings his Post-rock influences to the forefront and investigates the use of electronics in Jazz; Backlash, a piece for improvising “marching band” with the line-up of piccolo, trumpet, trombone, euphonium, accordion and percussion. Outside of his own music, Johnny performs in many other groups including Cath Roberts’ Sloth Racket, John Pope Quintet, Nat Birchall, Engine Room Favourites, and Swiss-UK collaboration MoonMot.