RVG’s highly-anticipated third album is named Brain Worms for the hyper-recognisable experience of, each day, baring witness to a world of private obsessions being aired out in the infinite. This may not be wholly new territory for the Melbourne post-punk band and its lyricist/frontwoman Romy Vager, but this time around, there’s a newfound radical acceptance glistening overtop everything. After a momentous first five years — finding critical acclaim for debut A Quality of Mercy, landing on countless end-of-year Best Of lists, and playing alongside some of the world’s biggest acts in Pixies, Kurt Vile, Pete Doherty, Sleaford Mods, Camp Cope, Shame, and more — RVG released second album Feral as the world was locking down. Feral was called “masterfully executed” by The Big Issue, “the record of a lifetime” by Rolling Stone Australia, and given four-and-a-half stars by the Sydney Morning Herald. But between the four bandmates — lead singer and guitarist Vager, guitarist Reuben Bloxham, drummer Marc Nolte and bassist Isabele Wallace — this is the most confident they’ve ever felt in RVG. They’ve moved past their influences, pushed themselves, and tried new things. And they have made a record they can, by all accounts, call their best. “If we could only make one more album, it would be this one,” says Vager.