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 Having delved into his craft in 2017, James Saunders has been cultivating his sound and turning heads ever since. 
 Since beginning his journey into sound, James has relentlessly developed his skills in the studio, with a heavy influence of funk, jazz and disco. His appreciation for these styles of music can be heard throughout his work in the form of live guitar and drum parts, as well as the unforgettable slinky sound of a Rhodes piano - which is often the key element in his compositions. His aural fingerprint is full of energy and groove throughout, particularly his Jamiroquai Edits which have been in heavy rotation for some time, receiving mass appeal. There are few up and coming producers that have been featured in DJ Mag in relation to their production techniques but Saunders has found himself to be one of them. 
 Many of the seeds that have been planted so far have come into full fruition in the form of a slew of releases on labels such as PIV, Moan and Dutch powerhouse No Art, where his ‘Ten Hours EP’ really set the pace as his first stand out body of work. In addition to the labels he has found himself connected to, some of the leaders of modern club music have shown continuous support of James’ work, namely Chris Stussy, Rossi, Toman, ANOTR and Jamie Jones. 
 Now with a string of solid gigs coupled with his intuitive ear for sound, James’ next steps are set to be solid.