Performance

Monthly Listeners

Current

Followers

Current

Streams

Current

Tracks

Current

Global Rank

Current

Top Releases

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love race (feat. Kellin Quinn)

100.4M streams

100,435,513

Messy (Messy x Kellin Quinn)

2.2M streams

2,214,917

Love You Like I Used To

1.4M streams

1,431,156

Secrets

1.3M streams

1,276,164

1 Thing (feat. Kellin Quinn)

1.3M streams

1,255,950

Rose Coloured Catastrophe

937.6K streams

937,565

Do You Like Me Now (feat. Kellin Quinn...

936.5K streams

936,521

No Rain (From "Paradise City" Soundtra...

903K streams

902,956

SORRY 4 MYSELF

895.8K streams

895,836

Shadow Preachers (From "Paradise City"...

878.8K streams

878,782

Biography

Since emerging in 2010, Kellin and Sleeping With Sirens have tested the boundaries of rock by walking a tightrope between pop, punk, metal, hardcore, electronic, acoustic, and even a little R&B. This high-wire balancing act attracted a faithful fan base known as “Strays,” generated global album sales in excess of 1.5 million, ignited over half-a-billion streams, and achieved a trio of gold-selling singles: “If I’m James Dean, You’re Audrey Hepburn,” “If You Can’t Hang,” and “Scene Two-Roger Rabbit.” They launched two albums—Feel and Madness—into the Top 15 of the Billboard Top 200. 2017’s Gossip included “Gossip”, the 2018 Olympics & Paralympics Official Team USA Anthem. Additionally, Kellin collaborated with MGK on “Alone”, Pierce the Veil on the platinum-certified “King For A Day” and the producer/DJ Yultron on “The Bottom.” Beyond selling out shows worldwide and receiving acclaim from The New York Times; Alternative Press crowned Sleeping With Sirens “Artist of the Year” at the Alternative Press Music Awards, proclaimed “Kick Me” the 2015 “Song of the Year”, and has featured them as cover stars a whopping eight times. Since How It Feels to Be Lost’s release, Kellin has reconnected with producer Cameron Mizell, and the resulting 6-track EP will live under a new project name, Downer, Inc. This outlet for Kellin’s creativity functions as a “musical diary of sorts,” as Kellin continues to challenge himself to learn new instruments and traverse musical genres and styles.