Alejandro Fasanini, composer and artistic director of the ArtPhonus Orchestra Fasanini’s score, disciple of the Spanish composer Luis de Pablo, is written with great wisdom and is certainly among the vertices of the symphonism of the cultured world tradition. In it, the language adopted, has assimilated with rare skill the compositive research of the ‘900, and shows, in each sentence, a personal style, linked to the geographical and cultural origin of the composer, in particular the pulsating rhythm and solar cantabile that can turn into a melancholic or passionate one. Furthermore, it is clear that Maestro Fasanini has a great executive experience. Unlike some abstract composers, who sometimes forget to mediate between metaphysical ideals and executive pragmatism (and therefore propose inexecutable and unmanageable scores), Fasanini manages with a solid technique and craftsmanship (in the most eloquent sense possible) the complex formal architectures that he creates. The garish timbral vivacity, guaranteed by a varied instrumental score (which I report below), creates in my opinion a continuous and always new interest in the listener, moved by the sound narration. Awards -Nomine 21st Award Latin GRAMMY 2020 -Winner Festival delle orchestre di Roma 2011 -Winner Festival della canzone Italiana di Pesaro 2007 -Mention of honour “Certamen Hugo del Carril” of Buenos Aires 1999