A connesurier of horror and obscure media, Lylantz speaks to the Black Swans of society, the daring, the misunderstood, the formidable. Lylantz explores psychological themes through his art in an effort to shine light on the more vulnerable side to the human experience. Drawing thematic influence from classical and victorian art forms whilst merging such with the modern, his sound is based in a unique blend of Rock, Hip-Hop, Classical, Folk, and Metal in which he uses to express his affinity to the shadows and expand his universe of generally haunting music, all done in an organic genre-fluid-like fashion. Gothic in nature and poetic in approach. The North-American polymath, At-N Ausara-Lasaru, harbored an affinity for haunting storytelling at a young age, from the likes of consuming works by notable writers spanning from then and now such as Edgar Allen-Poe and Dean R. Koontz. Under his vampirical inspired moniker, he creates works that aim to challenge the human psyche in learning to find ease with its imperfections: to find beauty in the madness. Many would find the philosophy of Lylantz is undeniably spiritual and more specifically aligned with Left Hand Path ideologies. He holds in high regard the transformative power that being in touch with one's shadow self can yield, for all light is born from darkness. From his musical compositions, to his filmmaking and prose, there is no medium that Lylantz is hesitant to grace with his dark touch.