For András Dés, jazz is democracy and a game that requires the right partners. People like Martin Eberle, whose subtle and sensitive trumpet voice can bring amazing depth to the simplest themes, Philipp Nykrin, whose creativity can turn the musical process in the most exciting directions, and Kenji Herbert, who with special attention transitions between the roles of soloist and accompanist, depending on what the music requires at the moment. This democratic game gains significance only when they bravely embrace mistakes, reveal their vulnerable side and offer their souls to the musical process, to their fellow musicians and listeners. This calls for trust, empathy and openness, alongside the right dose of ego and a willingness to take risks, as music must evolve. And of course, creativity, to stave off monotony. The free improvisations that bridge the compositions, forming the foundation of their musical concept, unfold as a natural outgrowth of the preceding musical events. The improvisations organically progress toward the envisioned goal, just like the musicians lives. Because music is life.