There are few things in life quite as mesmerising or outrageously euphoric as the nine-strong Umlauts army effervescing in full force. Rebelling against labels, transcending borders of land and time - packed with twin vocalists equally competent in their skewering south-London drawl as they are in German, Italian or French - as in touch with the nostalgias of First-Generation post-punk or 80s pop as they are with the techniques of contemporary pop or big beat dance - the Umlauts are paragons of trans-europe excess, dripping with inarguable edge; ranging wildly from chaotic cool to bombastically exquisite order; invested with unhinging, socio-political bite, dancing in a rave of their own.