As Santangelo Williams settled into the tapestry of Los Angeles, a city teeming with stillborn aspirations, he found himself reflecting on the journey that has kept him there. Each song he created became a scribble in the margins, notes on the theater of love. “Jack’s Song” is the first chapter in a living, breathing narrative. Drawing on the tale of the Titanic to weave a personal story of emotional ebb and flow, the Titanic, a symbol of grandeur and tragedy, mirrored the highs and lows of his own experiences. It speaks of love found and lost, of hope and despair, of the delicate dance between joy and sorrow—of feelings stranded at sea. This marks the genesis of a serialized journey, much like the weekly installments of Dickens’ “Great Expectations.” Each song to follow will be a new installment, revealing more layers of the “Pierrot, Lately” era. Through these songs, Santangelo aims to capture the essence of his time in LA, a city that became a silent witness to his pursuit of love and evasion of loneliness. The theater of love is the stage upon which these songs play out, with every note and lyric reflecting his innermost feelings. As this journey unfolds, Santangelo is filled with anticipation for what lies ahead. “Jack’s Song (Titanic)” is just the beginning, and he eagerly awaits sharing each subsequent piece, revealing the story of “Pierrot, Lately” one song at a time.