Nação Zumbi's bassist's first authorial work, Soturno also marks Dengue's transformation beyond his original instrument, embracing lo-fi electronics with high doses of reggae 
 Alexandre Matias There is an unknown planet that orbits Earth every 50 years and travels a multidimensional path that impacts various cosmic levels, including the lives of terrestrial individuals. Every half century, planet Soturno completes one round around our planet and gives rise to personality deviations that cause behavioral changes in each of us. All this sidereal mythology arose in the mind of Alexandre Dengue, bassist for Nação Zumbi, as he began to experiment with his own compositions for the first time. Away from his original group because of the pandemic, he found himself challenged to work solo for the first time. He had never wanted to release an album as an instrumentalist precisely for this reason, he had always seen himself as part of a collective no matter the size of the team he joined, whether it was Nação Zumbi's sound factory or side projects, such as the now classic 3 na Massa or his collaborations with Angolan rapper Luaty Beirão, aka Ikonoklasta, and Portuguese producer Pedro Coquenão, aka Batida.