Planet B’s music lays somewhere just out of reach of genre, with aesthetics rooted in hip hop, hardcore punk, turntablism, and 70s-80s horror movie soundtracks. It is catchy, heavily percussive, and eerie all at once. Henshaw’s fantastical sci-fi accompaniments utilize Justin’s whistling UFO vibrato, for example, and apply it to dark and distorted electrical hums, claps, and marching band drum beats. Here, no sound is beyond their experimental scope. After releasing a solo 7” as well as a split 7” collaboration with legendary turntablists Invisible Skratch Piklz, Planet B’s latest album is the impressively imaginative outcome of all their interdimensional efforts and collaborations. Here, they have created their first full-length LP, with no shortage of assistance from a slew of incredibly influential and unique musicians including Kool Keith (Dr. Octagon), Nick Zinner (Yeah Yeah Yeahs, Head Wound City), Gabe Serbian (The Locust, Head Wound City), Sonny Kay (Year Future, creator of GSL Records), Martin Atkins (PIL, Killing Joke), and Joseph Karam (The Locust).