Composer Sarah Kirkland Snider writes music of direct expression and vivid narrative that has been hailed as “rapturous” (The New York Times), “groundbreaking” (The Boston Globe), and “ravishingly beautiful” (NPR). Recently named one of the “Top 35 Female Composers in Classical Music” by The Washington Post, Snider’s works have been commissioned and/or performed by the New York Philharmonic; Boston Symphony Orchestra; Cleveland Orchestra; San Francisco Symphony; National Symphony Orchestra; Detroit Symphony Orchestra; Philharmonia Orchestra; Birmingham Royal Ballet; Emerson String Quartet; Renée Fleming and Will Liverman; Deutsche Grammophon for mezzo Emily D’Angelo; percussionist Colin Currie; eighth blackbird; A Far Cry; and Roomful of Teeth, among many others. Her four full-length LPs – The Blue Hour (Nonesuch/New Amsterdam, 2022), Mass for the Endangered (Nonesuch/New Amsterdam, 2020), Unremembered (New Amsterdam, 2015), and Penelope (New Amsterdam, 2010) – have garnered year-end nods and critical acclaim from The New York Times, NPR, The Boston Globe, The Washington Post, The Los Angeles Times, Gramophone Magazine, Pitchfork, BBC Music Magazine, The Nation, and many others. A founding Co-Artistic Director of Brooklyn-based non-profit New Amsterdam Records, Snider has an M.M. and Artist’s Diploma from the Yale School of Music, and a B.A. from Wesleyan University. Her music is published by G. Schirmer.