Performance

Monthly Listeners

Current

Followers

Current

Streams

Current

Tracks

Current

Popularity

Current

Top Releases

View All

House Music Is...EP

487.2K streams

487,230

I'm Feelin' Good Right Now EP

387.5K streams

387,539

Trip

311.6K streams

311,555

Lay Your Hands

209.9K streams

209,916

Get Down

135.8K streams

135,808

Drum Machine EP

132K streams

132,032

Mess With The Freak (Extended Versions...

80.6K streams

80,592

Belong

48.3K streams

48,259

All Day Long / I Know

43.7K streams

43,686

Playing Music EP

41K streams

40,976

Biography

When you get the nod from Dj Mag, Mixmag and Pete Tong all in the space of a month, then you know your on a upward spiral. Everything about his career so far has been about a unique development of his sound. During Brett’s rise he has been billed on the same flyers as Sasha, M.A.N.D.Y, Eats Everything, Franky Rizzardo, Prok n Fitch, Mike Vale, and Mark Fancuilli, all on the back of a two year residency at the Lightbox in London. Summer 2016 Brett released ‘Body Language’ which was supported by Claude Von Stroke, Lee Foss & Denney. This etched him into the ones to watch by Dj Mag. Brett followed up with a release on Snatch Records namely ‘House Music Is’ which was championed by Jamie Jones and Pete Tong. This became the 9th biggest selling tech house tune of 2016. With the summer of 2017 well on it’s way, Brett has already had numerous support on Radio1 and was invited to do the Lights On guest mix for Monki, which she described the mix as ‘Brett absolutely smashed it’. He is now firmly etched on to the club scenes mind with his releases on Leftwing & Kody’s Lost label & The Solid Grooves stable both releases gaining Radio 1 support. Bookings wise he has supported Claptone, Eats Everything, Solardo, Latmun, Detlef & Waff showing he is ready for the top level. With his remixes of Darius Syrossian, Funk D’Void & Hauswerks on the horizon plus his follow up to ‘House Music is’ on Snatch Records coming late summer entitled ‘Believe’. It’s fair to say this is Brett Gould’s year.