Performance

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Current

Streams

Current

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Current

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Top Releases

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Robsoul's Most Wanted, Vol.2

675.8K streams

675,759

It's the Inside That Counts Eats Every...

561.8K streams

561,784

Underground Chronicles, Vol. 5

418.2K streams

418,241

Essential Beats, Vol. 5

306.7K streams

306,719

Stick & Move

274K streams

274,049

Essential Beats, Vol. 10

268.5K streams

268,526

Essential Beats, Vol.9

265.9K streams

265,865

Essential Beats, Vol. 6

239.8K streams

239,783

Underground Chronicles, Vol. 6

186.5K streams

186,502

Mary Jane

182.4K streams

182,376

Biography

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by classic Chicago house and nu-school French flair, underpinned with a hip-hop attitude. In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine and his long running Robsoul Recordings also defines him as one of the most skilled label heads in underground house music. Very productive, Phil has released more than 250 tracks and remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which is responsible for the majority of his original output. Phil’s work can also be found in the collaborations Fries & Bridges (with Hector Moralez on “Forever This”), PS Project/Bubba Beats & Kid Piston (with DJ Sneak) and Ladybird ('Searching4Love' and 'Natural High'). Behind the decks, Phil has racked up enough air miles to take him around the world several times over, with appearances at the world’s leading house clubs - Sankeys, Watergate, Pacha or Kristal are all regular haunts, alongside his Paris residency ‘Get Underground’ at the infamous Rex Club. Phil has also fully embraced the relationship with his fans and house music fans in general – whether through his popular ‘Underground Chronicles’ video diaries on Youtube or his personal relationships on Facebook.